The Brown Bunny

Actor-turned-filmmaker Vincent Gallo's strange second feature isn't the first movie to cause a near-riot among the cineasts at Cannes: Antonioni's L'AVVENTURA (1960), Reinhard Hauff's STAMMHEIM (1986) and David Cronenberg's CRASH (1996) come immediately to mind. Few, however, managed to generate such vituperative word of mouth. So it actually comes as more